Our 5 best tips for AWESOME indoor photo's...

5 Tips for AWESOME indoor Photo's

1. Adjust your white balance

If we could tell everyone just one thing about indoor photography, this would be it. White balance. It will change your life (it totally changed ours). We lived through months of orange basement photos and random blue photos thanks to "auto white balance," and we're here to tell you there's a cure! Little did we know it would be so easy. To simplify WB, just know that it is the coloring of the light. Different light sources come with different colors or temperatures. Our eyes are awesome and can adjust to the different hue of light each light source provides, but digital cameras can't do that on their own. You want to adjust white balance to get the colors in your images as accurate as possible. For example, the coloring of shade is much cooler than sunlight, but light bulbs inside the house are much warmer than sunlight. Because of the change of coloring, you need to adjust your WB to compensate. Auto white balance (AWB) does an okay job, especially outside with the sun, where your camera can guess coloring pretty well. But low light and mixed indoor lighting throws it off, and you may have found you'd like a little more (or a LOT more) control to avoid those bluish or orangey-reddish pics you're getting (like what we got for months!!).  Adjusting your own WB will make the most obvious difference indoors at night, but it's always better than auto. There are almost always presets on a DSLR, which are displayed as icons you can choose from to match your lighting:

For clarification, Tungsten is your basic yellowish household light bulb. Fluorescent lights make you feel like you're walking through Target (think bright neon-like white). Everything else is pretty self explanatory. So for cooler light (cloudy day, shade, indoors in the day without lights on) you’ll tell the camera to warm things up, and in warm light (indoor lights/tungsten) you’ll tell it to cool down. Or just pick the WB icon that matches your light :)

2. Lose the flash

We have to confess..., we LOVE our flash... perhaps a little too much. Even with our point and shoot. Granted we've probably ruined a lot of shots that way, and when we finally had to suck it up and learn how to use our external flashes for receptions, we hit a learning curve the size of China. And we'll admit, there is a time and a place for flash. Large events in the dark being a good example. But (we could totally be going out on a social limb here) we are believers that inside our house we can all take great photos without it. We can also take a lot of not-so-great photos without it, but that's what the delete button is for :) And our guess is that even then, you will not regret having ditched your flash. Our goal with photos is to make them authentic, and flash will sadly take your moment and flatten all the depth right out of it. It removes soft shadows that show definition and replaces it with harsh shadows that are super distracting. Work with the real light you have and learn everything you can about your camera so you can adjust it to make your shot light enough without flash.

3. Use your biggest aperture

Another confession (all the sudden it feels like we have a lot of things to confess)... We are addicted to large apertures. Huge, open, suck-in-every-speck-of-light apertures. A depth of field that turns everything into a watery blur (except the tiny point I focused on) makes us melt. This is to a fault, and we stick to it even in family sessions or group shots. We seriously can't help ourselves. Aperture. This is hard for us to even mention without going into more detail, but for now, know that your aperture is the size of the opening on your lens. The bigger the opening of your lens, the more light you will let in, and the more background you will blur out. Both of these things are the best news ever for indoor shots. You need light, and you want the busy background to melt away. Try switching to Aperture Priority setting ("Av" for Canon and "A" for Nikon) and get your aperture to the smallest number possible (they're fractions, the smaller the number, the larger the opening). That's a good start.

4. Clean up the clutter

As a family, we've always got some form of a tornado running through our house, so a constant mess is inevitable. But we have a little secret. We like to practice the idea of quickly cleaning up the background of any shot before we take it. This doesn't mean sweeping and vacuuming or putting everything away on their proper shelf. We would miss the moment we wanted to capture if we did that. Let's call it the 10 Second Sweep. We do a quick scan of the scene, and if anything is distracting from what we want our focus to be on, we just move it away so that it's out of the shot. Literally, like to the side of the couch. Or to the opposite wall. It's fake cleaning. And it works like a charm. We do it all the time :) We're all about being real, but if we're taking a photo that we may potentially frame on my wall, or send off to grandparents, or if we just want to make ourselves feel better, it's worth a fake cleaning. 10 seconds. No big deal.

5. Look for catchlights

A catchlight is when indirect light fills your subjects eyes and lights them up. We're pretty hooked on them, they have an awesome way of bringing the eyes—and entire face—to life. To know if you’re getting a good catchlight, look for the source of light reflecting in your subject’s eyes, and notice how much the eyes light up compared to a direct light or backlit photo. We're secretly crazy about backlighting, but we've noticed most clients prefer a radiant face to a radiant halo of glowing hair at the top of their head. Weird, I know. That said, even as a lover of backlighting, when we're shooting indoors I am a sucker for catchlights, and I'll always choose indirect light in the eyes over the hazy background and darker face you get with backlight. You can get awesome catchlights with indoor window light during the day by having your subject look toward the window. Try it...you'll fall in love with it.